{"id":10540,"date":"2026-02-02T13:05:56","date_gmt":"2026-02-02T13:05:56","guid":{"rendered":"https:\/\/greenmood.co.uk\/?p=10540"},"modified":"2026-02-03T08:08:27","modified_gmt":"2026-02-03T08:08:27","slug":"acoustic-material-performance","status":"publish","type":"post","link":"https:\/\/greenmood.co.uk\/fr\/acoustic-material-performance\/","title":{"rendered":"Acoustic & Material Performance: What Really Drives Quiet Interiors"},"content":{"rendered":"\t\t
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\/* \u00e9quilibre \u00e9ditorial *\/\r\n border-radius:14px;\r\n overflow:hidden;\r\n border:1px solid rgba(0,0,0,0.08);\r\n background:#f6f7f8;\r\n}\r\n\r\n.image-pair figcaption{\r\n margin-top:12px;\r\n padding-bottom:24px;\r\n font-size:13px;\r\n color:#5c636e;\r\n}\r\n\r\n\r\n.image-pair__media img{\r\n width:100%;\r\n height:100%;\r\n object-fit:cover;\r\n display:block;\r\n}\r\n\r\n.image-pair figcaption{\r\n margin-top:10px;\r\n font-size:13px;\r\n color:#5c636e;\r\n}\r\n\r\n\/* Two-column on desktop *\/\r\n@media (min-width: 860px){\r\n .image-pair{\r\n grid-template-columns:1fr 1fr;\r\n align-items:stretch;\r\n }\r\n}\r\n\r\n\r\n\r\n @media (max-width: 768px){\r\n .article .article-inner{\r\n padding: 20px 16px !important;\r\n max-width: 100% !important;\r\n }\r\n .container{\r\n padding: 16px 12px 60px !important;\r\n }\r\n }\r\n <\/style>\r\n<\/head>\r\n\r\n\r\n<body>\r\n <div class=\"container\">\r\n\r\n <!-- HERO -->\r\n <section class=\"hero\">\r\n <div class=\"hero-media\" role=\"img\" aria-label=\"Acoustic and material performance guidance for architects and designers\"><\/div>\r\n <div class=\"hero-content\">\r\n <span class=\"kicker\"><span class=\"kicker-dot\"><\/span> GUIDANCE FOR PROJECT TEAMS<\/span>\r\n\r\n <h1>Acoustic & Material Performance<\/h1>\r\n\r\n <p class=\"subtitle\">\r\n Acoustic behavior, material properties, and real world performance constraints for professional interiors.\r\n <\/p>\r\n\r\n <div class=\"meta\" aria-label=\"Meta information\">\r\n <span class=\"pill\"><strong>12 min read<\/strong><\/span>\r\n <span class=\"pill\">Published: <strong>Feb 2026<\/strong><\/span>\r\n <span class=\"pill\">Topics: <strong>Acoustics<\/strong>, <strong>Material Performance<\/strong>, <strong>Specification<\/strong>, <strong>A&D<\/strong><\/span>\r\n <\/div>\r\n\r\n <div class=\"tags\" aria-label=\"Topics tags\">\r\n <span class=\"tag\">NRC<\/span>\r\n <span class=\"tag\">Absorption vs Isolation<\/span>\r\n <span class=\"tag\">Assemblies<\/span>\r\n <span class=\"tag\">Workplace<\/span>\r\n <\/div>\r\n <\/div>\r\n <\/section>\r\n\r\n <div class=\"grid\">\r\n <!-- ARTICLE -->\r\n <article class=\"article\" id=\"article\">\r\n <div class=\"article-inner\">\r\n\r\n <div class=\"notice\">\r\n <strong>Intent:<\/strong> This article helps architects, designers, consultants, and clients understand what drives acoustic comfort in real spaces.\r\n We focus on measurable behavior, assembly logic, and site constraints rather than material marketing claims.\r\n <\/div>\r\n\r\n <!-- TOC -->\r\n <details class=\"toc-details\">\r\n <summary>\r\n <span>Table of contents<\/span>\r\n <span class=\"chev\" aria-hidden=\"true\"><\/span>\r\n <\/summary>\r\n <nav class=\"toc\">\r\n <a href=\"#sec-1\">Acoustic performance is not a material claim<\/a>\r\n <a href=\"#sec-2\">Absorption vs isolation<\/a>\r\n <a href=\"#sec-3\">What NRC and ratings can and cannot tell you<\/a>\r\n <a href=\"#sec-4\">The frequency problem<\/a>\r\n <a href=\"#sec-5\">Assembly effects<\/a>\r\n <a href=\"#sec-6\">Real world constraints in offices<\/a>\r\n <a href=\"#sec-7\">Biophilic materials and preserved moss<\/a>\r\n <a href=\"#sec-8\">Cork and natural materials<\/a>\r\n <a href=\"#sec-9\">Measured outcomes<\/a>\r\n <a href=\"#sec-9a\">Documented acoustic performance (laboratory data)<\/a>\r\n <a href=\"#sec-10\">What project teams should request<\/a>\r\n <a href=\"#sec-11\">Greenmood\u2019s approach<\/a>\r\n <a href=\"#sec-12\">Resources<\/a>\r\n <a href=\"#sec-13\">Final takeaway<\/a>\r\n <\/nav>\r\n <\/details>\r\n\r\n <h2 id=\"sec-1\">#Acoustic performance is not a material claim<\/h2>\r\n <p>\r\n Acoustic comfort is rarely solved by selecting an \u201cacoustic material\u201d.\r\n It is solved by specifying the right <span class=\"leadline\">assembly<\/span>, in the right <span class=\"leadline\">location<\/span>, for the right\r\n <span class=\"leadline\">frequency problem<\/span>.\r\n <\/p>\r\n <p>\r\n A material can be promising on paper and still underperform in a real interior once layout, ceiling height, glass, HVAC noise, and furniture\r\n are introduced. That gap between lab claims and lived experience is where most acoustic disappointments happen.\r\n <\/p>\r\n\r\n <div class=\"quote\">\r\n <strong>Quiet design is a system outcome, not a single material attribute.<\/strong>\r\n <\/div>\r\n\r\n <h2 id=\"sec-2\">#Absorption vs isolation<\/h2>\r\n <p>\r\n One of the most common specification errors is mixing absorption with isolation.\r\n <\/p>\r\n\r\n <h3>Absorption<\/h3>\r\n <p>\r\n Absorption reduces reverberation inside a room and improves clarity, comfort, and speech intelligibility.\r\n This is what most interior acoustic panels target.\r\n <\/p>\r\n\r\n <h3>Isolation<\/h3>\r\n <p>\r\n Isolation reduces sound transmission between spaces. It depends on mass, airtightness, and construction details.\r\n Soft surface materials rarely solve isolation problems on their own.\r\n <\/p>\r\n\r\n <div class=\"keytakeaways\">\r\n <div class=\"take\"><span class=\"take-bullet\"><\/span><div><strong>Absorption<\/strong> improves the sound inside the room.<\/div><\/div>\r\n <div class=\"take\"><span class=\"take-bullet\"><\/span><div><strong>Isolation<\/strong> reduces sound passing through the room.<\/div><\/div>\r\n <\/div>\r\n\r\n <!-- IMAGE BLOCK \u2014 simple diagram placeholder -->\r\n <figure style=\"margin:22px 0;\">\r\n <img decoding=\"async\"\r\n src=\"https:\/\/greenmood.us\/wp-content\/uploads\/2026\/01\/absorption-vs-isolation.webp\"\r\n alt=\"Diagram comparing absorption vs isolation in interior acoustics\"\r\n loading=\"lazy\"\r\n style=\"width:100%; height:auto; display:block; border-radius:14px; border:1px solid rgba(0,0,0,0.08);\"\r\n \/>\r\n <figcaption style=\"margin-top:10px; font-size:13px; color:#5c636e;\">\r\n Absorption and isolation solve different problems and require different strategies.\r\n <\/figcaption>\r\n <\/figure>\r\n\r\n <h2 id=\"sec-3\">#What NRC and ratings can and cannot tell you<\/h2>\r\n <p>\r\n NRC and absorption ratings are useful, but they are not a guarantee of comfort.\r\n They do not describe space geometry, placement, directionality, or the low frequency buildup that dominates many open plan environments.\r\n <\/p>\r\n <p class=\"leadline\">A practical way to read ratings<\/p>\r\n <ul>\r\n <li>Use ratings to compare options, not to predict a final experience.<\/li>\r\n <li>Ask what configuration was tested, thickness, backing, air gap, mounting method.<\/li>\r\n <li>Confirm the problem you are solving: echo, speech privacy, overall noise level, or transmission.<\/li>\r\n <\/ul>\r\n\r\n <h2 id=\"sec-4\">#The frequency problem<\/h2>\r\n <p>\r\n Many interiors fail acoustically because the solution targets the wrong frequency range.\r\n Mid and high frequencies are easier to absorb. Low frequencies are harder, and often more disturbing in open workplaces.\r\n <\/p>\r\n <p>\r\n That is why a good strategy balances surface absorption, spatial zoning, and practical constraints such as ceiling services and architectural intent.\r\n <\/p>\r\n\r\n <div class=\"quote\">\r\n <strong>The acoustic question is not \u201cis this material acoustic?\u201d It is \u201cwhich frequencies are we targeting, and where?\u201d<\/strong>\r\n <\/div>\r\n\r\n <h2 id=\"sec-5\">#Assembly effects<\/h2>\r\n <p>\r\n Acoustic behavior changes significantly depending on assembly details. Two products with similar surface appearance can behave differently once mounted.\r\n <\/p>\r\n\r\n <h3>What typically changes performance<\/h3>\r\n <ul>\r\n <li>Thickness and density<\/li>\r\n <li>Backing material and stiffness<\/li>\r\n <li>Air gaps behind panels<\/li>\r\n <li>Edge conditions and seams<\/li>\r\n <li>Mounting method and contact points<\/li>\r\n <\/ul>\r\n\r\n <!-- IMAGE BLOCK \u2014 assembly (two-column aligned) -->\r\n <div class=\"image-pair\">\r\n\r\n <figure class=\"image-pair__item\">\r\n <div class=\"image-pair__media\">\r\n <img decoding=\"async\"\r\n src=\"https:\/\/greenmood.us\/wp-content\/uploads\/2026\/02\/acoustic_docs-scaled.webp\"\r\n alt=\"Cutaway showing acoustic panel assembly layers\"\r\n loading=\"lazy\"\r\n \/>\r\n <\/div>\r\n <figcaption>\r\n Assembly clarity matters more than surface claims.\r\n <\/figcaption>\r\n <\/figure>\r\n\r\n <figure class=\"image-pair__item\">\r\n <div class=\"image-pair__media\">\r\n <img decoding=\"async\"\r\n src=\"https:\/\/greenmood.us\/wp-content\/uploads\/2026\/01\/air-gap-acoustic-absorption.webp\"\r\n alt=\"Diagram showing effect of air gap on acoustic absorption\"\r\n loading=\"lazy\"\r\n \/>\r\n <\/div>\r\n <figcaption>\r\n Backing and air gaps can shift real-world acoustic performance.\r\n <\/figcaption>\r\n <\/figure>\r\n\r\n <\/div>\r\n\r\n <h2 id=\"sec-6\">#Real world constraints in offices<\/h2>\r\n <p>\r\n In workplaces, acoustic discomfort is rarely caused by one single source.\r\n It is typically a combination of speech, collaboration zones, hard surfaces, glass, and HVAC background noise.\r\n <\/p>\r\n <p class=\"leadline\">Common constraints that shape what is possible<\/p>\r\n <ul>\r\n <li>Open plan layouts and shifting teams<\/li>\r\n <li>Ceiling services and lighting that limit overhead absorption<\/li>\r\n <li>Glazing and hard finishes that increase reflections<\/li>\r\n <li>Brand driven design requirements that reduce surface coverage<\/li>\r\n <li>Maintenance expectations in occupied environments<\/li>\r\n <\/ul>\r\n\r\n <h2 id=\"sec-7\">#Biophilic materials and preserved moss<\/h2>\r\n <p>\r\n Preserved biophilic materials can support acoustic strategies when specified as part of a complete assembly.\r\n They contribute to absorption and a calmer visual atmosphere, but they do not replace system thinking around placement, backing, and targets.\r\n <\/p>\r\n <p>\r\n In practice, the best outcomes happen when biophilic systems are placed where people spend time and combined with an acoustic plan that addresses the full space.\r\n <\/p>\r\n\r\n <div class=\"quote\">\r\n <strong>Biophilia supports comfort, but performance still depends on the assembly and the room strategy.<\/strong>\r\n <\/div>\r\n\r\n <h2 id=\"sec-8\">#Cork and natural materials<\/h2>\r\n <p>\r\n Cork is often selected for natural material strategies and its tactile qualities.\r\n Acoustic performance depends on thickness, density, installation method, and whether the assembly targets the frequency range that actually causes discomfort.\r\n <\/p>\r\n <p>\r\n In other words, \u201ccork\u201d is not a performance guarantee. The assembly is the performance.\r\n <\/p>\r\n\r\n <h2 id=\"sec-9\">#Measured outcomes<\/h2>\r\n <p>\r\n In complex projects, relying on product sheets alone is rarely enough.\r\n That is why Greenmood can collaborate with acoustic specialists to establish baseline conditions and validate results before and after installation.\r\n <\/p>\r\n <p class=\"leadline\">What this enables<\/p>\r\n <ul>\r\n <li>Evidence based decisions when acoustic comfort is critical<\/li>\r\n <li>Clear documentation for project teams and stakeholders<\/li>\r\n <li>Realistic expectations aligned with site constraints<\/li>\r\n <\/ul>\r\n\r\n <!-- IMAGE BLOCK \u2014 on-site measurement placeholder -->\r\n <figure style=\"margin:22px 0;\">\r\n <img decoding=\"async\"\r\n src=\"https:\/\/greenmood.us\/wp-content\/uploads\/2026\/01\/acoustic-consultant-01-1.webp\"\r\n alt=\"Acoustic measurement and validation process in professional interiors\"\r\n loading=\"lazy\"\r\n style=\"width:100%; height:auto; display:block; border-radius:14px; border:1px solid rgba(0,0,0,0.08);\"\r\n \/>\r\n <figcaption style=\"margin-top:10px; font-size:13px; color:#5c636e;\">\r\n When needed, acoustic measurements help align design intent with real world performance.\r\n <\/figcaption>\r\n <\/figure>\r\n\r\n <!-- NEW SECTION -->\r\n <h2 id=\"sec-9a\">#Documented acoustic performance (laboratory data)<\/h2>\r\n\r\n <p>\r\n To move beyond material narratives, acoustic performance must be supported by measured data.\r\n <\/p>\r\n <p>\r\n The values presented below are based on laboratory measurements carried out in reverberation rooms, following recognized international standards\r\n (ISO 354 \/ ISO 11654 and ASTM C423).\r\n <\/p>\r\n <p>\r\n These results provide a comparative reference for understanding how different biophilic and acoustic materials behave in controlled conditions,\r\n using standardized mounting configurations.\r\n <\/p>\r\n <p>\r\n They are intended to support early-stage design decisions, specification discussions, and documentation workflows, not to replace project-specific\r\n acoustic studies.\r\n <\/p>\r\n\r\n\r\n\r\n <!-- TABLE TITLE \/ LEGEND (place this directly above your table image) -->\r\n <div style=\"margin:18px 0 10px;\">\r\n <div style=\"font-weight:700; font-size:16px; line-height:1.25;\">\r\n Laboratory sound absorption performance (reverberation room measurements)\r\n <\/div>\r\n <div style=\"margin-top:6px; font-size:13px; color:#5c636e;\">\r\n Measured according to ISO 354 \/ ISO 11654 and ASTM C423 standards\r\n <\/div>\r\n <\/div>\r\n\r\n\r\n<img decoding=\"async\"\r\n src=\"https:\/\/greenmood.us\/wp-content\/uploads\/2026\/02\/greenmood_tableau_materials.webp\"\r\n alt=\"Laboratory sound absorption performance of Greenmood materials measured in reverberation rooms according to ISO 354, ISO 11654 and ASTM C423\"\r\n loading=\"lazy\"\r\n style=\"width:100%; height:auto; display:block; margin:24px 0; border-radius:14px; border:1px solid rgba(0,0,0,0.08);\"\r\n\/>\r\n\r\n <!-- OPTIONAL PUNCHLINE UNDER TABLE -->\r\n <p style=\"margin-top:12px; font-weight:600;\">\r\n Measured data informs decisions. Assemblies and positioning determine results.\r\n <\/p>\r\n\r\n <p>\r\n The indicators shown (\u03b1w, NRC, SAA and absorption class) describe how efficiently a material absorbs sound energy under standardized test conditions.\r\n <\/p>\r\n <p class=\"leadline\">They are useful for<\/p>\r\n <ul>\r\n <li>comparing materials on a consistent basis<\/li>\r\n <li>identifying suitable absorption ranges for mid and high frequencies<\/li>\r\n <li>supporting acoustic intent within specification documents<\/li>\r\n <\/ul>\r\n <p>\r\n However, these values should not be interpreted as guarantees of in-situ performance.\r\n <\/p>\r\n\r\n <!-- IMPORTANT NOTE BOX -->\r\n <section\r\n class=\"notice\"\r\n style=\"margin:22px 0; padding:18px; border-radius:14px; background:#fff7f2; border:1px solid rgba(0,0,0,0.08);\"\r\n aria-label=\"Important note on real-world performance\"\r\n >\r\n <strong>Important note on real-world performance<\/strong>\r\n <p style=\"margin:10px 0 0;\">\r\n Laboratory absorption coefficients represent idealized conditions. In real projects, acoustic performance is influenced by multiple factors, including:\r\n <\/p>\r\n <ul style=\"margin:10px 0 0; padding-left:18px;\">\r\n <li>mounting configuration and backing<\/li>\r\n <li>presence or absence of air gaps<\/li>\r\n <li>surface continuity and junctions<\/li>\r\n <li>room volume, geometry, and finishes<\/li>\r\n <li>distribution of absorptive surfaces within the space<\/li>\r\n <\/ul>\r\n <p style=\"margin:10px 0 0;\">\r\n As a result, identical materials can perform very differently once installed.\r\n <\/p>\r\n <\/section>\r\n\r\n <p>\r\n This is why acoustic outcomes should be approached at assembly and system level, not as isolated material properties.\r\n <\/p>\r\n <p class=\"leadline\">In professional interiors, the most reliable results come from combining documented material data with<\/p>\r\n <ul>\r\n <li>clear assembly definitions<\/li>\r\n <li>appropriate positioning within the space<\/li>\r\n <li>validation through calculation or measurement where required<\/li>\r\n <\/ul>\r\n\r\n <!-- OPTIONAL STRONG LINK TO GREENMOOD POSTURE (kept as a short bridge) -->\r\n <p>\r\n At Greenmood, acoustic data is used as a decision-support tool, not a marketing claim.\r\n Depending on project complexity, we work in coordination with acoustic specialists to estimate required absorption surface areas,\r\n validate strategies through RT60 calculations, and assess before and after conditions on selected projects.\r\n This approach helps align material choices with realistic performance expectations in occupied environments.\r\n <\/p>\r\n\r\n <h2 id=\"sec-10\">#What project teams should request<\/h2>\r\n <p>\r\n If a supplier cannot explain what was tested, how it was installed, and what the system includes, the specification is fragile by default.\r\n <\/p>\r\n\r\n <div class=\"keytakeaways\">\r\n <div class=\"take\"><span class=\"take-bullet\"><\/span><div>What exactly is included in the assembly?<\/div><\/div>\r\n <div class=\"take\"><span class=\"take-bullet\"><\/span><div>Which acoustic metrics are provided, and under what setup?<\/div><\/div>\r\n <div class=\"take\"><span class=\"take-bullet\"><\/span><div>What are the real constraints: humidity, sunlight, access, cleaning?<\/div><\/div>\r\n <div class=\"take\"><span class=\"take-bullet\"><\/span><div>What documentation supports long term behavior?<\/div><\/div>\r\n <\/div>\r\n\r\n <h2 id=\"sec-11\">#Greenmood\u2019s approach<\/h2>\r\n <p>\r\n Greenmood approaches acoustic and biophilic solutions as systems designed for professional interiors.\r\n The priority is to reduce ambiguity during specification and support stable, predictable results in occupied environments.\r\n <\/p>\r\n <p class=\"leadline\">Our focus<\/p>\r\n <ul>\r\n <li>Assembly clarity and specification support<\/li>\r\n <li>Documented performance where applicable<\/li>\r\n <li>Durability and serviceability in real projects<\/li>\r\n <li>Optional collaboration with acoustic specialists on complex scopes<\/li>\r\n <\/ul>\r\n\r\n <section class=\"doc-cta\" style=\"margin:48px 0; padding:32px; border-radius:18px; background:#f6f7f8; border:1px solid rgba(0,0,0,0.06);\">\r\n <h2 style=\"margin-top:0;\">Specification & Performance Guide<\/h2>\r\n\r\n <p style=\"max-width:720px;\">\r\n To support teams moving from design intent to real-world implementation,\r\n we\u2019ve prepared a dedicated reference document focused on the specification\r\n and performance of biophilic acoustic assemblies in professional interiors.\r\n <\/p>\r\n\r\n <p style=\"max-width:720px;\">\r\n The guide consolidates assembly logic, acoustic behavior considerations,\r\n documentation expectations, and validation principles commonly required\r\n during specification and project reviews.\r\n <\/p>\r\n\r\n <a\r\n href=\"https:\/\/greenmood.us\/wp-content\/uploads\/2026\/02\/greenmood_biophilic-acoustic-assemblies-\u2013-specification-performance-guide.pdf\"\r\n target=\"_blank\"\r\n rel=\"noopener\"\r\n class=\"btn-black\"\r\n style=\"display:inline-block; margin-top:12px;\"\r\n >\r\n Download the specification & performance guide\r\n <\/a>\r\n <\/section>\r\n\r\n <h2 id=\"sec-12\">#Resources<\/h2>\r\n <p>\r\n If you want to go deeper, these resources help clarify the difference between material narratives and real world acoustic performance.\r\n <\/p>\r\n\r\n <h3>Industry references<\/h3>\r\n <ul>\r\n <li><a href=\"https:\/\/amorimcorksolutions.com\/en-us\/about-us\/blog\/materials-vs-performance\/\" target=\"_blank\" rel=\"noopener\">Amorim: Materials vs performance<\/a><\/li>\r\n <li><a href=\"https:\/\/ekkoacoustics.com\/acoustic-materials-explained-felt-timber-cork-and-the-new-language-of-quiet-design\/\" target=\"_blank\" rel=\"noopener\">Ekko: Acoustic materials and the language of quiet design<\/a><\/li>\r\n <li><a href=\"https:\/\/impactacoustic.com\/en\/acoustic-performance\" target=\"_blank\" rel=\"noopener\">Impact Acoustic: Acoustic performance overview<\/a><\/li>\r\n <li><a href=\"https:\/\/www.empa.ch\/web\/s509\/acoustic-performance-of-engineered-materials\" target=\"_blank\" rel=\"noopener\">EMPA: Acoustic performance of engineered materials<\/a><\/li>\r\n <li><a href=\"https:\/\/www.mdpi.com\/2076-3417\/15\/9\/4644\" target=\"_blank\" rel=\"noopener\">MDPI: Acoustic materials research overview<\/a><\/li>\r\n <\/ul>\r\n\r\n <div class=\"divider\"><\/div>\r\n\r\n <h2 id=\"sec-13\">Final takeaway<\/h2>\r\n <div class=\"quote\">\r\n <p style=\"margin:0;\">\r\n Acoustic comfort is a system outcome.\r\n <strong>Specify assemblies, target the right frequencies, and validate performance against real constraints.<\/strong>\r\n That is how quiet interiors stay quiet after handover.\r\n <\/p>\r\n <p>Measured performance always depends on room volume, surface ratios and sound field conditions.<\/p>\r\n <\/div>\r\n\r\n <\/div>\r\n <\/article>\r\n\r\n <!-- SIDEBAR -->\r\n <aside class=\"sidebar\">\r\n <div class=\"sticky\">\r\n\r\n <!-- SHARE -->\r\n 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professional interiors.<\/p>\r\n <a class=\"btn-black\" href=\"https:\/\/greenmood.co.uk\/custom-acoustic-green-walls\/\"\r\n target=\"_blank\" rel=\"noopener noreferrer\">Explore Green Walls<\/a>\r\n <\/div>\r\n\r\n <div style=\"height:12px\"><\/div>\r\n\r\n <div class=\"cta\">\r\n <h4>Cork Tiles<\/h4>\r\n <p>Natural cork wall solutions designed for architectural integration and acoustic comfort.<\/p>\r\n <a class=\"btn-black\" href=\"https:\/\/greenmood.co.uk\/custom-acoustic-cork-walls\/\"\r\n target=\"_blank\" rel=\"noopener noreferrer\">Explore Cork Tiles<\/a>\r\n <\/div>\r\n\r\n <div style=\"height:12px\"><\/div>\r\n\r\n <div class=\"cta\">\r\n <h4>Specification & Performance Guide<\/h4>\r\n <p>\r\n A structured reference document designed to help project teams understand, specify,\r\n & validate biophilic acoustic assemblies based on real-world performance conditions.\r\n <\/p>\r\n\r\n <a class=\"btn-black\" href=\"https:\/\/greenmood.us\/wp-content\/uploads\/2026\/02\/greenmood_biophilic-acoustic-assemblies-\u2013-specification-performance-guide.pdf\"\r\n target=\"_blank\" rel=\"noopener noreferrer\">Download specification checklist<\/a>\r\n <\/div>\r\n\r\n <\/div>\r\n <\/section>\r\n\r\n <\/div>\r\n <\/aside>\r\n <\/div>\r\n\r\n <div class=\"footer\">\u00a9 <span id=\"year\"><\/span> Greenmood<\/div>\r\n\r\n <\/div>\r\n\r\n <div class=\"toast\" id=\"toast\" role=\"status\" aria-live=\"polite\">Link copied<\/div>\r\n\r\n <script>\r\n \/\/ Share links\r\n const pageUrl = encodeURIComponent(window.location.href);\r\n const pageTitle = encodeURIComponent(document.title);\r\n\r\n document.getElementById(\"share-linkedin\").href =\r\n \"https:\/\/www.linkedin.com\/sharing\/share-offsite\/?url=\" + pageUrl;\r\n\r\n document.getElementById(\"share-x\").href =\r\n \"https:\/\/twitter.com\/intent\/tweet?url=\" + pageUrl + \"&text=\" + pageTitle;\r\n\r\n 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\"\", id);\r\n });\r\n });\r\n\r\n \/\/ Year\r\n document.getElementById(\"year\").textContent = new Date().getFullYear();\r\n <\/script>\r\n<\/body>\r\n<\/html>\r\n\r\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Acoustic & Material Performance: What Really Drives Quiet Interiors GUIDANCE FOR PROJECT TEAMS Acoustic & Material Performance Acoustic behavior, material properties, and real world performance constraints for professional interiors. 12 min read Published: Feb 2026 Topics: Acoustics, Material Performance, Specification, A&D NRC Absorption vs Isolation Assemblies Workplace Intent: This article helps architects, designers, consultants, and […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-10540","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/greenmood.co.uk\/fr\/wp-json\/wp\/v2\/posts\/10540","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/greenmood.co.uk\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/greenmood.co.uk\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/greenmood.co.uk\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/greenmood.co.uk\/fr\/wp-json\/wp\/v2\/comments?post=10540"}],"version-history":[{"count":13,"href":"https:\/\/greenmood.co.uk\/fr\/wp-json\/wp\/v2\/posts\/10540\/revisions"}],"predecessor-version":[{"id":10562,"href":"https:\/\/greenmood.co.uk\/fr\/wp-json\/wp\/v2\/posts\/10540\/revisions\/10562"}],"wp:attachment":[{"href":"https:\/\/greenmood.co.uk\/fr\/wp-json\/wp\/v2\/media?parent=10540"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/greenmood.co.uk\/fr\/wp-json\/wp\/v2\/categories?post=10540"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/greenmood.co.uk\/fr\/wp-json\/wp\/v2\/tags?post=10540"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}